How do you follow up a classic? Last autumn, we called Sony’s then-new RX10 II “the best bridge camera ever” - but less than a year on, it’s already got a successor.

Sony’s slapped an extra roman numeral on the end, and on paper it looks a lot like its predecessor, but the RX10 III has one significant difference: it’s got a bloomin’ huge lens, offering 25x zoom over the RX10 II’s 8.3x.

So, has Sony managed to make an already cracking camera even more appealing? You bet your bum it has.


If I had to summarise what I liked most about the RX10 II (and I do, that’s kind of how this journalism lark works), it’d be the build quality: incredibly solid, and impervious to dust and moisture.

Oh, and that glorious OLED viewfinder. And the ability to shoot 4K and High Frame Rate (HFR) videos. The general excellent image quality in pretty much any shooting situation as a highlight, too.

Yep, that’s a long list, but honestly it could be longer - last year’s model hit so many of the marks you’d expect from a bridge camera it felt nigh-on perfect. Looking back, it was really only possible to have one real criticism: the shortish zoom range.

There are plenty of cheaper bridge cameras out there that have a much longer zoom, but the RX10 II made do with a lowly 8.3x. If there was one thing holding the RX10 II back from properly blowing my socks off, that was it.



The RX10 III is quite hefty for a bridge camera. There’s a good deal of metal in the body, adding strength and sturdiness, but you’ll be feeling the weight after a day of having this camera slung around your neck.

Weather-proofing is still a pretty unusual find in a bridge camera, so it’s great to see it here. It’ll shrug off rain showers as well as sandy beaches - particularly handy if you plan on taking any outdoor snaps this summer. Thank you, dependably useless British climate.

Bright sunshine won’t stop you seeing what you’re shooting, either, thanks to the gorgeous OLED viewfinder. It delivers a brilliantly bright, sharply detailed and gloriously rich image, making it the perfect way to compose, preview and review your shots.

The 3in tilting LCD is a more than capable alternative, even if you can’t flip it out for selfie shooting. It’s a strong, contrast-heavy display that deals better with direct sunlight than most camera screens.


The RX10 III’s party trick is High Frame Rate video. You might have taken slo-mo videos on your smartphone, but those generally top out at 250fps. Here, you can shoot at 500 and even 1000fps, which give supremely smooth slow motion videos when played back at normal speeds.

Video resolution might take a dip, and noise increases as you bump up the frame rate, but the end results are some gloriously weird videos. You can film something totally mundane, like water coming out of a tap, and it ends up looking otherworldly when played back in slow motion. If you can capture something like a bird in flight or a balloon popping, you’ve got yourself a mini masterpiece.

Using HFR is tricky, though, because the camera can only record at such speed for very short periods – really just a second or two, in 1000fps. It takes preparation and a bit of luck to capture the best HFR videos, but it’s huge fun to play around with while you’re striving for perfection.

The RX10 III can also shoot stills at ludicrously fast 1/32000 sec electronic shutter speeds, which lets you leave the aperture wide open in bright sunlight, or capture fast-moving subjects in pin-sharp detail.



But what about “normal” stills and video recording – the kind of stuff you’ll be using this camera for 90 percent of the time? Well, the RX10 III delivers on that front, too.

It’s 20.1MP photos are gloriously detailed, with low flare and vivid colours, and as with most Sony cameras, it continues to perform when the light starts to fade. High ISO shots are a little noisier and grainier, but you can shoot indoors or at night without having to worry about all your photos becoming a giant blur-fest.

The large sensor size and wide aperture help when the sun goes down, of course, but also mean you can easily get those brilliant/overdone (depending on how you feel) bokeh effects, where backgrounds are pleasantly smooth and out of focus.

You can record 4K video at up to 30fps, or 1080p at 60fps. Quality is ultra-sharp, with crisp stereo sound, and for a bridge camera you get a wide range of manual options to play with. It’s not quite up there with the stuff professionals generally look for, but it’s not all that far off – you could certainly shoot a very fetching short film using this camera.


Sony RX10 III verdict

There's really no point drawing this conclusion out: the RX10 II was a fantastic camera, and the III edition does nothing but improve upon it.

This latest version is one of the best all-rounders I’ve ever seen, capable of handling everything you could ask of it with aplomb. If you’re looking for a high performance camera without the hassle of interchangeable lenses, I’ve got no hesitation in saying that this should be the one.

Stay tuned for local pricing and availability of the Sony RX10 III.

Tech Specs 
ISO sensitivity
Frame rate
Video modes
4K (3840x2160) @ 30fps, Full HD (1920x1080) @ 1000/960/500/480/250/60fps
LCD screen
3in, 2359k dot tilting
Battery life
420 shots (CIPA)
Stuff says... 

Sony RX10 III review

A bridge too fabulous
Good Stuff 
Huge zoom range
Excellent photo and video performance
HFR is brilliant fun
Bad Stuff 
Bulky for a bridge camera