The 44 best things to watch in 4K on Sky Q

Stuff’s pick of Sky’s best Ultra HD bits, updated for October

Got Sky Q but no 4K telly to plug your box into? Have you any idea how many pixels you’re missing out on?

Ultra HD comes as standard with your Sky Q multiroom subscription and while it doesn’t extend to everything available, the catalogue is steadily growing all the time. Here’s Stuff’s pick of Sky’s 4K menu...

The Third Day

From Summerisle to Royston Vasey, there are some places where it’s just not worth booking an Airbnb – and after watching The Third Day you’ll want to add Osea Island to the list. Jude Law’s Sam stumbles upon this seemingly idyllic community by accident, but the evasive residents, dismembered animals, and bright orange insects soon suggest all is not as it seems.

Unsurprisingly, The Third Day owes a significant debt to The Wicker Man (the original, not Nic Cage’s comedy remake) but the involvement of immersive theatre company Punchdrunk makes this six-parter a real assault on the senses. That’s particularly true of the first three episodes, which veer from dreamlike to nightmarish as Sam gradually loses his grip on reality.

Unfortunately, the 12-hour, single-take episode that was live-streamed at the start of October and sits between the two halves isn’t available on-demand, although based on what went before it, watching that might be enough to tip anyone over the edge into madness.

Le Mans '66

Imagine if straight-talking, sideburn-sporting petrolhead Guy Martin had been given a part in Mad Men and you’ve pretty much got Christian Bale’s portrayal of hotshot racing driver Ken Miles in Le Mans ‘66 (minus the mutton chops).

Focusing on Ford’s battle to beat Ferrari at France’s world-famous endurance race, just watching a GT40 do laps for 2.5 hours would be entertainment enough for some. For everyone else, Le Mans ‘66 has a cast of very watchable characters, although they do occasionally border on cartoonish. Even an overly Hollywoodised ending doesn’t spoil the oil-stained fun.

Terminator: Dark Fate

With every new Terminator film the killer robots that arrive from the future just keep getting better. Unfortunately, that’s not been the case for the movies themselves, but Dark Fate finally bucks the trend.

The key reason for that is the return of Linda Hamilton as Sarah Connor. Here the grizzled veteran of T2 teams up with a hybrid soldier to protect factory worker Dani from a brand new cyborg that’s so deadly even a whole transit van to the face can’t kill it.

Dark Fate makes plenty of references to the first two movies and even brazenly rips some bits off. But it’s the larger-than-life fight scenes, including one that starts in the sky and ends underwater, plus an offbeat appearance from Arnie, that set Dark Fate apart from its less ruthlessly efficient predecessors.


For fans of Neapolitan gangster series Gomorrah, anti-hero Ciro Di Marzio always felt like the main man – and not just because he’s never encountered a situation too gloomy to wear sunglasses. It’s no great surprise, then, that he’s the subject of this feature-length spin-off.

While not quite a straight origin story, L’Immortale shows how Ciro went from an orphan stealing car stereos on the streets of Naples to fighting for control of the Latvian drug scene. While it won’t make total sense unless you’ve seen up to the end of season three of Gomorrah, which is also available in 4K on Sky, L’Immortale very much shares the show’s DNA.


Download Joker expecting to see spandex-clad beefcakes knocking seven CGI bells out of each other and you’re going to be disappointed. This isn’t a superhero movie. It’s not really a supervillain movie either, although it does have its fair share of silly outfits.

Joaquin Phoenix plays Arthur Fleck – a wannabe stand-up comic in 1980s Gotham who’s sick of being the butt of everyone's jokes. Of course, we already know what becomes of him, but that doesn’t make watching Arthur’s tortured transformation any less mesmerising.

Ad Astra

Apocalypse Now in space. That’s pretty much what Ad Astra wants to be. And while it doesn’t reach the highs of Coppolla’s fevered masterpiece – what film does? – there are far worse things to aim for.

Brad Pitt plays astronaut Roy McBride, whose father disappeared 30 years earlier on a mission to Neptune. When devastating electrical surges start to wreak havoc on earth and NASA suspects they may be coming from the far side of the solar system, who do you think they send up there to investigate?

It’ll burn too slowly for some, but you could almost ignore the plot and just admire Ad Astra’s incredible scenery, which makes it a particularly fine choice for 4K.

Wu-Tang Clan: Of Mics and Men

If the Wu-Tang Clan’s live shows are anything to go by, just getting all of them in one room is a significant achievement in itself – but there’s a lot more to Of Mics and Men than just a nostalgic get-together.

With archive footage of the group’s raucous early shows, a visit to Method Man’s former workplace on Liberty Island, and talking heads from Jim Jarmusch, Ta-Nehisi Coates, and each surviving member and their entourage, this four-part documentary examines how the punk ethos that made the Clan such a formidable force in the early ‘90s gradually weakened under the strain of their individual egos. If anything, it’s amazing they managed to squeeze it all into four hours.

Gangs of London

Eastenders meets The Raid. That’s how we imagine Gareth Evans pitched this more-than-a-little-bit-ludicrous nine-parter to the big cheeses at Sky. Of course, comparisons to the latter should come as no surprise – Evans is the man behind that adrenaline-pumping bulletstorm too – but Albert Square has never seen a fight as brutal as anything in Gangs of London.

It’s a bit ‘Guy Ritchie by Waitrose’ at times, and it’s needlessly complicated at others, but when things kick off there’s not a hint of mercy. Bones are split, skulls are cracked and blood is spilled. A lot of it. Could’ve put a bit more effort into the name though.

Once Upon a Time in Hollywood

At a whopping 161 minutes long, Once Upon a Time in Hollywood tends to elicit one of two reactions: unadulterated Tarantino worship or extreme boredom. As usual, a more considered response probably resides somewhere in the middle.

Yes, there are looooong scenes of seemingly inconsequential dialogue that feel needlessly indulgent, QT’s weird obsession with women’s feet is more in-your-face than ever, and you’ll need a strong constitution to stomach the violence when it comes, but when have any of these things put people off his films before?

Captain Phillips

If Tom Hanks can fight off COVID-19, do you think a bunch of Somali pirates are going to cause him any problems? To answer that would obviously spoil Captain Phillips, but when you get a film named after you it’s a good sign you’re going to be the hero – despite what the crew might say about you afterwards.

Directed by Paul Greengrass – he’s the geezer that made the good Bourne films – it’s no surprise that Captain Phillips is a genuinely nail-biting account of the hijacking of a US container ship in 2009, but it also manages to avoid the ‘America, eff yeah!’ vibe that so many of Hollywood’s tales of heroism often fall into.

The Trip to Greece

It’s been nearly 10 years since Steve Coogan and Rob Brydon first toured the Lake District in a Chelsea tractor, eating in fancy restaurants, doing impressions and trying to have the last word. Surely the format can’t still work for a fourth series?

This time the duo are retracing the steps of Odysseus, which means they start in Turkey, where Coogan sets the tone with a Partridge-style ‘A-ha!’ from within a Trojan horse. They spend the rest of this very British comedy odyssey comparing Greek relics to Legoland, espousing the advances in modern dentistry as Don Corleone, and considering a cockney Henry VIII.

You’d think the appeal would’ve worn off by now, but with its breathtaking scenery and the pair's often quite revealing banter, there remains something quite compelling about eavesdropping on their working holidays. Series 3, The Trip to Spain, is also now available in Ultra HD.

Blade Runner: The Final Cut

If you’ve not seen Blade Runner it can be difficult to know which of its many versions to watch. Do you go for the original theatrical release with the voiceover? The so-called director’s cut from 1982? If you want the maximum number of pixels, though, 2007’s Final Cut is your only option.

It’s also closer to director Ridley Scott’s original vision, telling the story of downtrodden cop Rick Deckard’s hunt for a group of killer humanoid robots on the rain-soaked, neon-lit streets of dystopian LA. Widely considered as one of the best movies ever made (no matter which version you watch) Blade Runner’s grimey take on the future changed sci-fi forever.

Avenue 5

Imagine writing a sitcom about an interplanetary cruise that goes wrong and discovering that, according to experts from NASA, SpaceX and Virgin Galactic, one of the best things for protecting a spaceship against galactic radiation is human plops. With gags like that being dropped into your lap, who needs to write any others?

Fortunately, series creator Armando Iannucci isn’t that lazy, so Avenue 5 is full of the typically inventive dialogue, memorable characters and couldn’t-make-it-up scrapes familiar from his previous work on The Thick of It and Veep. The first episode isn’t the strongest but once it gets into its stride Avenue 5 is much more than just Red Dwarf for the Tesla generation.

Inglourious Basterds

Quentin Tarantino’s films are famous for their scenes of tense verbal sparring, with the threat of bloody violence always just around the corner – but perhaps the finest example of it is the beer cellar confrontation from Inglourious Basterds.

The deliberately misspelled Nazi western is worth watching for that scene alone, but it’s also packed with loads of other zingers, Brad Pitt’s hilarious attempt to speak Italian, and a healthy dollop of fascist-bashing.