Has there been a more high-profile murder case this millennium than that of “Foxy Knoxy” – the American student arrested as a 20-year-old in Perugia for the murder of her British flatmate Meredith Kercher?
Nearly a decade on, she’s back home in Seattle having been acquitted by an Italian court. But if she didn’t do it, who did? Considering the amount of coverage the case received at the time – coverage that this film is keen to criticise for being sexist, crass, sensationalist and exploitative – it’s probably not surprising that it doesn’t reveal anything particularly new, although it does introduce us to tabloid journalist Nick Pisa, a smarmy hack who makes Piers Morgan look like a shining example of his profession.
Knox’s one-to-one interviews are the most compelling part of the film, revealing a thoughtful, articulate woman who’s had plenty of time to think about what happened that day. It’s just a shame the film spends so long retreading old ground, rather than examining what it’s like to live in the shadow of such a horrifying crime.
Directed by journalist Sebastian Junger and photojournalist Tim Hetherington (who was to be killed a year after its release while working in Libya), this feature-length documentary about a platoon of American soldiers in Afghanistan’s deadly Korengal Valley won the Grand Jury Prize at the 2010 Sundance Film Festival.
Watch it and you’ll see why: consisting entirely of footage shot on location over the course of a year, it explores not only the dire military and political situation in the valley but delivers an illuminating raw picture of the soldiers’ frontline experiences, from adrenaline-driven firefights to the loss of comrades.
World War II in Colour (S1)
This 13-part documentary series does exactly what it says on the tin: tell the story of the major events of the Second World War using the somewhat unusual medium of colour film. From the war’s origins in worldwide economic depression to the dropping of atom bombs on Japan, it’s all retold in glorious, living colour from newsreels and other contemporary sources. Some of the footage is original, some has been colourised after the fact, but the effect is much the same – by showing us things we’ve previously only seen in monochrome (or in fictional reconstructions), it’s giving us a rare opportunity to view them with fresh eyes.
Wild Wild Country (S1)
This slick, stylish six-part Netflix series will gleefully suck in anyone with more than a passing interest in cults, utopian visionaries, counterculture and power struggles.
It tells the story – by turns comedic and unsettling – of Indian religious leader Bhagwan Shree Rajneesh who brought his band of red-robed followers to a Manhattan-sized tract of land in the Oregon wilderness with the intention of founding a self-sustaining city based on “love and sharing” rather than ownership and individualism.
Unsurprisingly, this band of free love-advocating New Age nudists immediately come into conflict with the handful of local townspeople – God-fearing, conservative and mostly old – and the amazing true story of this rapidly escalating butting of heads is told masterfully through new talking heads interviews and hours of archive footage. With the tale taking incredible twists and turns (Germ warfare! Arson! Attempted murder! The FBI! The co-founder of Nike!), this is among the most compelling original documentary series in Netflix’s library.
Ugly Delicious (S1)
Reckon Chef’s Table is a little too sedate and respectful for your tastes? Netflix has another, newer food show that might be more your speed: Ugly Delicious.
Fronted by award-winning chef David Chang and food writer Peter Meehan, it plunges face first into comfort food rather than venerating fine dining. Each episode focusses on a type of grub – pizza, tacos, fried chicken, home cooking, BBQ etc. – exploring its history and traditions and taking a deep, delicious dive into how different cooks and chefs around the world have developed it. For instance, did you know the best Neapolitan pizza in the world might just be in Tokyo?
Chang, Meehan and the succession of guest hosts make it a casual, irreverent and enjoyable watch, as well as an engrossing exploration of everyday eating. One note of advice, though: don’t view it on an empty stomach.
Flint Town (S1)
Flint, Michigan used to exemplify the American Dream. Like nearby Detroit, the city boomed off the back of the automotive industry, becoming home to a burgeoning middle class and some of the highest median wages in the USA.
Today, it’s a case study for the Dream's decay, one of the nation’s most impoverished cities, with crumbling infrastructure, soaring crime and an underfunded and shorthanded police force. Throw in a deadly (and totally avoidable) water crisis, and Flint starts to look like nothing less than exemplar of systemic failure, a microcosm of forgotten Middle America. Little wonder Michigan, after voting for the Democratic candidate in six consecutive elections, was won over by Donald Trump’s rambling promises to bring prosperity back to the Rust Belt.
It makes for a grimly fascinating subject in Netflix’s original eight-part documentary series, filmed over two years and focussed on the aforementioned police department. With fewer than 100 officers tasked with policing over a thousand times that many people, the department’s overstretched and demoralised, but determined to keep the city from collapsing. If you want a stark portrait of late capitalist America, and an inside view of how a US police department works (or doesn’t), Flint Town is a must watch.
Jim & Andy: The Great Beyond
Much of the footage that makes up this raw, funny and touching behind-the-scenes doc was only recently unsealed by Universal Pictures. Apparently, studio executives didn’t want Joe Public thinking star Jim Carrey was, in his own words, “an asshole”.
Because Carrey insisted on staying in character while filming Andy Kauffman biopic Man on the Moon, either as the misunderstood funny man himself, or his obnoxious lounge singer alter ego Tony Clifton - something that baffled, infuriated and entertained his co-stars in equal measure.
It’s a fascinating insight to Carrey’s state of mind at the time, when he seemed to genuinely believe he was channeling Kauffman throughout filming - leading to a news-making bust up with professional wrestler Jerry Lawler, private reconciliation with Kauffman’s estranged daughter, and on-set antics that genuinely made life hell for the filmmakers.
You don't have to be a sports fan to enjoy this must-watch doping exposé.
Icarus is effectively two documentaries in one, with the first third of the film a kind of Super Size Me for performance-enhancing drugs. The filmmaker, a semi-pro cyclist, embarks on a hardcore doping program to show how flawed the drugs-testing process is.
But when his advisor, Russian scientist Gregory Rodchenkov, suddenly finds himself in the eye of an international storm over Russia's state-sponsored doping program, Icarus handbrake turns into an enthralling fly-on-the-wall thriller about being a whistleblower in Putin's Russia.
Cue mysterious deaths, chilling interviews and a lots of hand-wringing as Rodchenkov goes into hiding from the new KGB.
Making a Murderer (S1-2)
Rural Minnesotan Steven Avery served 18 years in prison for a horrible crime that he didn't commit, and the revelations about the police handling of that case could be a 10-part series of their own – but here they're just the prologue to a far wider-reaching story.
That's because, a scant two years after his exoneration and release, Avery is charged with another crime: the brutal murder of a young woman. Given the circumstances surrounding the previous case, the local sheriff department's involvement comes under serious scrutiny, and to say there are troubling inconsistencies in the state's case against him would be a huge understatement.
Making a Murderer is a long, sometimes slow-moving series, but it's also compelling, deeply troubling, and constantly capable of sending shivers down your spine – and now there's a entire second series, in which Avery enlists a famed appelate lawyer to throw fresh eyes on his case, to get your teeth into.
A Netflix Original series directed by documentary maker Errol Morris (responsible for the likes of The Thin Blue Line and The Fog of War), Wormwood is a six-part series mixing Morris’ staple of one-on-one talking head interviews with dramatised scenes. Being a bid budget production, those dramatised scenes are a cut above any we’ve seen in other docudramas, with superb special effects and big name actors like Peter Sarsgaard and Tim Blake Nelson playing the roles.
The series concerns a the supposed suicide of a biological warfare scientist after his involvement in a secret CIA programme, and his family’s attempts to find out the truth about his death and about what he was working on for the US government.